The Wind Strums My Strings

author’s note:

“Strumming my pain with his fingers”
             — from a poem by Lori Lieberman


THE WIND STRUMS MY STRINGS

One twilight evening
I heard a gust of wind strum
the out of tune strings of a cheap guitar
abandoned in a trash bin.

Then another gust
rang the guitar
then a third banged the strings.

Though discordant
those chords made a spark
in the depths of my heart.
A feeling beyond adjectives.

I then asked myself
how such sounds could create
that feeling within me

and arrived at this answer:

As the wind sweeps over the earth
our excess emotion gets whisked up
and rides the many currents like dust.

We can feel some of that feeling
by listening to the wind strum
such things as wheatfields
and lakes and trees and bridges
and electrical towers and guitars.

After that realization, I decided
to join along—
to open myself up
and let the wind strum
my poorly-tuned strings.
Who knows?—
my notes, though rough
might spark a light in the hearts of others
the way my own heart was sparked
by the raw sound of that cheap guitar.

But I’d failed to anticipate
the amount of pain in the wind—
pain from the wounds
suffered by human minds.
Pain from all the creatures
struggling to survive.
Pain from the wounded land and water.

All that pain awakened
pain dormant within me.
The hurt rose up
and from my mouth
came a crazed cacophony
that included:

the whimpering pleas of a puppy

and long coyote howls

and low ghostly groans

as well as the bellows of a fallen bull.

No, my sound didn’t stir many
but at least I experienced some relief
by giving voice to buried feelings.

Since then
I’ve found much more besides pain in the wind
and so, I’ve been able
to expand my repertory a bit.
But the message remains
basically the same.
And that message is:

I hold more than I know.
Which means:

We’re all hold more
than we can possibly imagine.

And to those who say
No, we hold less!
I suggest:
trying opening yourself to the wind.

How Can I Live In This World?: poetry book
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© 2026, Michael R. Patton

The Symbolic Tree

author’s note:

Inspired by a photo of the 900-year old Camel Thorn trees at Namib-Naukluft National Park in Namibia.


THE SYMBOLIC TREE

The stark beauty of that desert plain
was enhanced by the presence
of a single tree.
Dead for hundreds of years
but well-preserved by the dry conditions
and the chemical composition
of those grains of sand.

Like a hand
that tree reached up from the golden land—
its bare black branches
beseeched the sky perpetually.

But finally
atmospheric forces won
when a record sandstorm
shattered that skeleton
with one big blow
and all the pieces
flew away on the whirling wind.

With the loss
that stretch of desert no longer matched
the photo the tourist bureau
had posted on the web.
Without that dramatic symbol
the plain now seemed so empty.

Realizing the need for a replacement
the government then planted
a monument on that very spot—
the black steel mirrored the tree in every detail:
same height, same girth, same desperate gesture.

Some statues die from neglect once erected.
But this one lives on.
Tourists come from all over the world
to visit that desert park.
And a recent study shows:
ninety percent take photos
of themselves beside
that symbolic tree.

Their grins can seem so silly
juxtaposed
against those naked steel branches.
But much goes on beneath a clown face.

I believe
people respond to that monument
because its severity expresses a secret truth.
A deep desire I again feel
now, as I revisit that picture.

Once again
I’m spurred to work
to cure the pain
of that blessed yearning.

How Can I Live In This World?: poetry book
dream steps blog
myth steps blog
you tube channel
© 2026, Michael R. Patton

Net of Memories

author’s note:

Why did I choose the beach?

I wanted to make my hair wavy.


NET OF MEMORIES

Fatigued by certain persistent memories
that afternoon I laid down on the ocean beach
hoping to find some peace.

And as I dozed between two worlds
a wave came up and sloshed my head.
Then receded—
dragging all the bric-a-brac in my brain away—
away into the gently-breathing bay.

Soon another wave
would bring it all back
but for a few moments
my collection of memories spread
through those soothing blue waters—
each one was a living cell
connected to several others
by fibers strong as violin strings.
Taken all together
they formed a complex web.

I realized then:
if my wish was granted
and I could cut away any cells I didn’t want
each extraction would leave
a hole in that net.

Ever since that nap on the beach
I’ve embrace all my memories—
even those that spark powerful pain.
I need the net intact in order to feed this brain.

How Can I Live In This World?: poetry book
dream steps blog
myth steps blog
you tube channel
© 2026, Michael R. Patton

My Festive Song and Dance

author’s note:

My dancing feet refuse to learn dance steps.  I think they just want to be free.


MY FESTIVE SONG AND DANCE

I told the wise one:

“The love I feel in my heart
  seems inadequate for the task of life—
  I’ve tried but can not lose
  that quietly persistent sense of lack.”

And in reply the wise one said:

“Yes, you love the rain
  but you hate
  when rainwater floods your lot.
  And yes, you love the sun
  but you hate
  when those fiery rays scorch your crops.”

Aided by her insight I then saw the obvious:

If I saved my love for those parts of life I liked
my love would never fully develop—
I also needed to love the hardships I dreaded.

So I tried to love the times of pain:
I danced when merciless storms came
and sang a song of love
when the sun seemed so uncaring.

But despite my festive efforts
I still could not quite love
the fire and the flood.
However
since I loved to dance and sing
I did feel some love in my heart
during weather that seemed unfair.

But still not enough, not enough.

So I continue to try
to learn to love the deluge that ruins
as well as the sun’s cruel nonchalance.
Not easy work to be sure, but made easier
by my stubborn song and dance of love.

How Can I Live In This World?: poetry book
dream steps blog
myth steps blog
you tube channel
© 2026, Michael R. Patton