I’m so desperate for good news, I’m trying to make a little myself.
BUCKETS & LADDERS
The candidate says he can save us.
But no—
he couldn’t even if he tried.
As the wise one once said:
You are the only one
who can lower your bucket
down into the well.
You are the only one
who can climb your ladder.
When the candidate proclaims:
“I’m so tall, I’m so deep!”
he sounds so short, so shallow.
Yet many believe that snake-oil salesman
because they’re searching for hope.
Well, I’ve found hope in another belief
because I see
it slowly becoming a reality:
Tired of being less than we actually are
we will reclaim our power
by rejecting our idols
and lowering our buckets down
deep into the moon in the well
while climbing up our ladders—
climbing, trying to reach the sun.
As is typical of youth
when I was young I ignored
the possibility I could die young.
Even as I watched
so many with the same blindness
stumble into graves.
Only later
as I looked back
did I see how lucky I’d been.
I then began to step more carefully.
But now as I watch
so many my age
retire to their graves
I worry I’m becoming
just a little too cautious.
The life I’m afraid to lose
won’t have much life
if I don’t follow
the true desire of my spirit
which was and still is:
to go forth and know the world.
So though my legs tremble
I will stretch my stride.
No, the width won’t match that of my youth.
But the stubborn fool I am now
shows more courage
than the obtuse fool I once was
because now I can feel Death
watching me and waiting
as I struggle on these steps.
But my reaper is not so grim.
No, beneath that black hood
he smiles wide in appreciation.
Death sees I am doing
what he wants us to do:
to grow in strength
by confronting
the deep fear that keeps us alive.
Psychopathic pirates now rule the seas.
Cutthroats who feel no guilt.
But instead of defending ourselves
against those bloody Blackbeards
we honor them for their gall
and get drunk on their grog
after being blatantly robbed.
I would fight
those big flashy swords
but I fear the inevitable losses
would begin to darken my heart.
So for now
I’ll just keep feeding my little light
and share what I’ve got
as its flame slowly grows brighter.
And keep repeating
a hope I believe to be based in reality
and that is:
despite appearances
the age of Blackbeard has nearly
burnt itself out.
Millions of good boats
now roam the seas—
navigating—
lighting the way
toward a future
that may not be that bright
but at least, won’t be as bleak
as our present dark passage.
But when I do drown, I’m always able to resuscitate myself.
THE POWER OF METAPHOR
Occasionally a submerged memory
will leap up in a sudden wave
and as the breaking crest topples down
onto my head
the undertow
will begin to pull me under.
But I’ve learned
at such times I can save myself
by calmly repeating this instruction: don’t try to resist—open yourself
open up your arms—open up
the cage of your chest:
surrender
and feel the full force of the feeling.
And if I then do as told
I will rise up
from the deepening darkness
to the sun
spangling golden
on those light blue waters
and a rolling wave of peace
will carry me home to the sandy shore.
Yes, by using metaphor in this way
I can stop myself from drowning.
But so easy to forget
when a sudden wave rises
and my head gets pounded once again.
A long time ago, I learned to make pain my friend.
-- Kid USA, pro wrestler
LIVING WITH GHOSTS
I’ve learned:
I can’t get rid of a ghost by shouting Leave me alone!
No—
curses and pleading
will not dislodge a ghost.
Nor can I outrun them.
For years, I sped like a bullet train
but when finally forced to stop
my ghosts shot out of the shadows.
Sometimes a ghost may seem
to disappear completely.
But then something I hear or see
will raise that wraith from the grave.
I’ve wrestled with my specters for years
and lost a million times or more.
So now I’m trying a new strategy:
whenever a ghost resurrects
and an old wound wounds me once more
I’ll try to remain calm
and say quite casually: Well, hello my old companion—
stay if you want—leave when you wish.
No, I’m not finally at peace with you
but I waste so much energy
when I try to fight or flee.
However
I won’t sit
when your sadness
tries to leaden my heart—
No!
I’ll leap and skip in a golden dance.
Though I can’t deny you, I can defy you.
But maybe I should thank you.
Didn’t I learn through you?—
Didn’t I grow?
Yes, and now I’ll learn even more
by staring deep into your eyes
with all their shades of blue.
But though I say in my head: You should embrace that ghost
my words I haven’t yet convinced my heart.
So until I grow some more
the best I can do is accept you
and dance dance dance—
dance ‘til the night becomes dawn.
Some believe
the rose struggles to break free from the bud
because it wants to be lovely
but no—
it’s possessed by a mad desire to live.
However
after opening its eyes
the flower may discover
it resides inside a little cage.
The rose may then sink into self-pity
but soon enough
that willful plant will rise up
to protest the injustice
and as the flower finds its strength
a new bloom will come from the old one.
The bars of the cage
will then surrender to its power
and fall down to the ground
like the dead shards of a husk.
But alas!—
beyond the parameters of fallen cell
the rose will find another cell.
So though our hero enjoys
the extra space it’s earned
it still feels caged.
And so, as before
the rose will rebel
and by struggling, grow some more
and so
the bloom will bloom once more.
But just as before
after the cage breaks open
a new cage will emerge from the shadows.
In this way, that stubborn perennial
will move through a succession of cages.
The irony is:
because it expands with each new blooming
no cell ever feels big enough for that plant.
And so, the rose continues to grow
to the very end.
Maybe like me
you look at your petals
and see brown blotches
and ragged edges—
our blooms reveal our battle wounds—
yes, in this fight for life we’re scarred.
So I will try to solace you now
by telling you what I tell myself: a flower with a blemished blossom
always speaks lovelier
than one still stuck in a spotless bud.
I believe our greatest accomplishments often go unnoticed. We don't even see them ourselves.
THE SUN IN MY FUTURE
A week ago, I woke with this image
in the darkness of my aching head:
A tear
dangling from the tip
of an eyelash.
The drop beamed like a small sun.
I’d seen that teardrop before— years ago
so I already understood the message:
By releasing grief
I will cleanse my eye
and then see the world in light.
But apparently that clarity
is still far away—
as before, I saw the drop
through the lens of a telescope.
Naturally, I felt disappointed
and began to wonder
if I’d ever reach that sunny place.
So to strengthen my resolve
I wrote this poem—
knowing
I’d rewrite it many times
and each time
I would see that sundrop.
And as a result
the image would anchor in my mind.
So maybe now
I won’t slip
and forget
my deep desire
as I often have in the past.
No, I won’t lapse
and slack in the task
of clearing those clouds from my eye.
“Get a little more life experience under your belt, then we’ll talk.”
WHY I CRY AS I LAUGH
One night as I laughed
at that couple on TV
they suddenly turned to me
and with their icy eyes, said:
Why do you laugh as we argue?
What’s so funny about
two people constantly fighting?
In that moment, I realized a secret
that I then shared with them:
“Those silly battles you engage in
echo my own inner conflicts.
“So when I laugh at you
I’m actually laughing at myself.
Allow me this release, please—
I need to laugh, otherwise I’ll cry
at my failure to create peace in my heart.”
The ice in their eyes then began to melt.
But as they wept for me
they also wept for themselves,
knowing now how
all those battles on the show
echoed their own unresolved inner conflicts.
Seeing their grief
I could no longer hold back—
I wept for all of us, I wept
until I realized
we could drown in that deep dark blue.
So then I found a reason to laugh
as I cried—
yes
I chuckled, I guffawed, I chortled.
“How absurd!” I said to my companions.
I want to heal the world
but can’t even heal my own head.”
The couple then began to laugh with me.
We laughed as we cried.
And in that way
kept ourselves from sinking
down into darkness.
Since that episode
the couple have stuck to the script
and continue to bicker every week
over every little thing.
But now as I laugh at them I also cry:
I allow myself to laugh
because the relief lifts me up.
But I also allow myself to cry
because when I grieve this war
I become even more determined
to create a lasting peace in my purple heart.
I may seem to be going in circles
over a path worn down to dusty ruts
but I believe:
I’m actually going up
a spiral stairway—
rising higher with every step—
with every step rising higher— higher:
where the soul wants the heart to go.
To those who insist that’s nonsense
I say
Consider how this belief benefits me:
Because I believe our dizzy life
has a grand purpose
I’m willing to endure the vertigo.
And this belief encourages me
to keep on trying
to lift myself up—
high enough
for me to take
the next big step on this stairway.
And that helps everyone, doesn’t it?
I can see
why someone would think
we are only going in circles.
But whatever the reality may be
shouldn’t we try to find beliefs
that will motivate us
to keep on lifting ourselves up?—
to keep on lifting our world up?
High enough
for us to take
the next big step on this spiral stairway.
She wanted to express
the complex emotion of that moment
in words
or paint
or song.
If only for her own benefit.
Her plan was:
On days when she felt blah and dim
she would return to her creation
and experience once again
that emotional moment
and in that way, cure her malaise.
However
she soon discovered
the work of writing was such drudgery
as was the work of applying paint
as was the work of crafting a song.
So she decided on a different strategy:
on those bleary days
she would instead open her mind and heart
to the complex emotions
conveyed by artists she loved:
poets
and painters
and magicians who made melody.
And because she now realized
how hard they’d worked
her appreciation for their gifts deepened
and so, she opened even more.
Nonetheless
one night she felt so flat
she could not muster the strength
needed to open her door and enter
the rooms created by those master carpenters.
In desperation
she then wrote: If I feel too dead to open
to the life that gives life to my life
how can I live?
Honest lines
and yet
they sounded rather mundane.
And so she tried to find better words—
and more of them!—
she wanted to create incisive verses
that would fully truly express
the debilitating frustrating blandness
of that moment.
And by laboring long
she managed to transform those lines
into a melodic poem of color.
Not bad, maybe even good
but still
her creation somehow didn’t seem quite right to her.
Nonetheless
she felt she’d gone deeper
than she’d ever gone before.
And so
though she felt disappointed
she also felt rewarded for her efforts.
And that complex mix of emotion
cured her malaise.
For a moment, anyway.
Years later
she remains frustrated in her work
but keeps on because
she knows she deepens and heals
each time she tries and fails.
Full disclosure: I have used “sashaying trees” in a poem before.
But if you steal from yourself, is it really stealing?
EMPATHY AT THE END OF WINTER
On that morning
I couldn’t express the heavy feelings I felt.
But when I looked out the window
what I saw expressed how I felt.
I knew that black skeletal tree
felt so weak beneath
the gray sky hovering just overhead.
But its desire for life kept it upright.
And when I saw the brown leaves
still stuck on the pale-yellow grass
I could feel those dead leaves
clinging to my skin
and knew
the grass desperately wanted
a loving spring breeze to rise
and whisk those leaves away—
all of them—away—
so its pale blades could green again.
With such empathy swelling my chest
I could barely tolerate
what I saw outside.
But I did not look away
because I now saw
the power of my desire—
because I now saw
the strength of my endurance.
But then I did step away from the window
because suddenly I knew
how I could express what I felt
at the end of the winter
and knew
I needed to open my chest
and release those winter feelings
and try to resurrect
a bright spring inside
so I could love
when spring resurrected itself outside—
so I could feel the glory
of those towers of white cloud
and feel the abundance
to be found in my own little patch
of sashaying trees and sparkling green grass.
Yesterday I woke at dawn
with a sense of disturbance.
Looking out the window
I then saw the cause:
a hundred starlings loitered in my yard.
A foul fowl in my opinion:
traveling in herds, they shove out all the other birds.
Arrogant. Ignorant. Belligerent.
Their voices always full of complaint.
So I waved my arms
and shooed those devils away.
But they merely circled round
and settled back down on my lawn.
So again I waved and shouted.
Only to see the flock return moments later
with dozens more in its defiant chorus.
After two more tries
I finally said with a sigh:
“Okay you feathered fiends, you win.”
Then went inside.
But I could still hear
the racket of that flock—
the fidgety fluttering, the raspy chattering.
But what could I do?
I saw no other option
but to fall back on my bed
and try to accept what I’d rejected.
Maybe I could become accustomed
to the torture.
Then my anger might unclench its fist
and I would know calm within.
And indeed—
as I endured patiently
I felt the ruckus slowly settle down
to a dull innocuous murmuring.
Yes, I achieved a relative peace.
Then suddenly all grew still
both inside and out.
I realized the starlings had fled.
By surrendering, I’d won.
But that vacuum was soon filled
as my inner monologue began again—
amplified now by the quiet.
That spiel spills out
with hardly a pause
during my waking hours.
Sometimes the words come from
an elevated place.
But more often the words come
from a place lower down.
That’s not what I want to hear from myself.
But I haven’t found a way
to shut that base voice down.
Sometimes I’ll stop
and shoo that noise away.
But too soon the disturbance returns.
Yeah—
just like those starlings on my lawn yesterday.
My opinion of the species
remains pretty much the same
and yet, I bless them now—
through those birds perhaps I’ve learned
a way to come to terms
with that lowdown being inside of me
fighting for survival.
I wanted to feel what the poets feel
when they say: I am a child of nature.
So I decided to go to the forest alone
and throw off all my clothes.
I wanted to feel at one with
all the trees and rocks and birds and squirrels.
But as I began to disrobe
a stern voice within me said:
“Though your skin be bare
underneath you’ll still wear
the suit of your civilized self.”
After a thoughtful pause
I then answered,
“Well, maybe so.
But I’ll tell you why I’m going to try:
“As children, sometimes we’d dress up
and pretend to be adults.
That harmless fantasy
would give us a brief reprieve
from the frustrating smallness of childhood.”
“Now, in adulthood
I often feel frustrated
by the smallness of this civilized suit.
“But maybe today I can get a brief reprieve
by throwing off my outer armor
and pretending to be
a child of nature
frolicking naked in a forest garden.”
My friend, the comic
said he sought a woman of gold
but so far in his search
he’d found only lead.
I then mentioned a woman
he knew and I’d recently met.
But to that idea, he replied:
"What about those big ears
and those big bug eyes
and that big butt
that wobbles from side to side
when she walks up the stairs?"
I scolded him then, saying
“Consider the possibilities:
“Perhaps ears so big are made to detect
the sound of gold hidden in this world of lead.
And when that woman hears that gold
that gold becomes
part of who she is.
“And maybe eyes so big and buggy
are well-designed to see the gold
hidden in this world of lead.
And when that woman sees that gold
that gold becomes
part of who she is.
“And to me, that wobble expresses
the continual interaction
of life’s yin and yang.
That big butt bears witness
To the universal creative energies within her.
“That’s not lead, my friend, that’s gold.”
Startled by my own response
I decided to let that obtuse man
find his way alone
then hurried home to phone
that glorious woman of gold.
When he saw her at the dance party
my friend nudged me in the ribs
and said with a laugh Would you look at her!
So I turned my eyes
to the woman across the room:
Obviously anxious. Shy. Vulnerable, she was.
Perhaps embarrassed
by how her ears stuck out from her hair
or how
those two front teeth stuck out from her mouth.
But I choose to believe
all humans hold the magic of nightfall
(though we often hide the mystery well)
so I studied her until
I again felt the reality of that belief:
She’s a wonderful cipher
I then told my friend.
When he realized I was serious
he focused his beams
and after he saw what I had seen
he swallowed a deep breath
and strolled over to her—
moving carefully—
the way one approaches a deer
or a space alien.
I say:
the power and blessing of this belief
comes from how it asks us
to open our eyes
and see for ourselves.
At the new year’s party
the host dimmed the lights
just before midnight
so when my friend turned
he saw only a silhouette
at the other end of the hallway—
a shadow stepping his way.
Then when the lights came back on
he found a plain open face
peering into his plain open face.
That face soon became part of his days.
A good face
because it belongs to a good woman.
But when seen every day
the good can begin to seem ordinary.
So in time my friend lost sight
of what he first saw
when he first saw her that night.
But fortunately for both of them
he soon woke up again—
brought back, I believe
by the god that steers from within:
While mowing the lawn
late one afternoon
that good man turned without thinking
and found her shadow
standing at the window.
In that instant
he remembered that midnight silhouette
and his eyes opened again.
I’m happy to report
he has not forgotten the truth since then.
Why did I respond so strongly
to that penguin video?
Why did I nearly cry
when I saw that little fellow waddle
over the white Antarctic ice?
And why did I sigh
when the bird plonked
into the chop of the sea
then glided
in intelligent undulations
down and down
through deeper shades of blue?
It flew through the water
on wings that before seemed useless.
Maybe in that waddler
I saw how I usually am in the world.
And maybe in that sleek swimmer
I saw my secret desire.
When I go below the surface
I feel the grace within.
A quiet intensity that defies expression
so for the purposes of this poem
I will call it “soul”
knowing that those who read poets
will understand
what I mean when I say:
I feel more grace, more soul
the deeper I go.
But I’ve never been able
to go deep enough
to know pure grace, pure soul.
Like the penguin
I’m only able to stay under a short time
then I must emerge
to waddle around on the ice once more.
I enjoyed the penguin before—
it looked so cute in its tuxedo.
But now I love the penguin
having witnessed
its deep desire for soul.
Even if we’re not with someone this Valentine’s Day, we can still express our love.
LOVING ALL I SEE
Some whispering people believe
I’ve fallen in love with myself
because I keep staring into the stream.
But no—
I want to see the reflection
of the limbs and leaves
with the wide blue sky beyond
where a lone bird drifts.
Yes, I could see the same
if I raised my head
but this way
I also see the shadow fish
darting beneath the surface
and a bed of stones worn smooth
where a crawfish scuttles backwards.
I love the leaves and sky and gliding bird
and the water and fish and those smooth stones.
And especially the scuttling crawfish.
And when I see my rippling face among them
I remember:
I am part of the nature I love.
So I should be fair
and love the lover as well.
When I Went for My Waterfall Blessing, I Found a Divine Dog
author’s note:
“What a feeling!”
— Irene Cara, “Flashdance…What a feeling”
WHEN I WENT FOR MY WATERFALL BLESSING, I FOUND A DIVINE DOG
PART I
Today I went to visit the waterfall
as I do whenever
the mud and dust
of my life in this world
just seems too much.
When I stand beneath
the water rushing down
I imagine a blessing descending
on my bowed head—
cleansing me.
So when I emerge
I feel clear again
and for a moment
again feel the purity of my spirit.
But I believe we’re all
pure in spirit.
I need that belief
in order to accept
all the mud and dust
of our life in this world.
PART II
But when I arrived
at the end of the forest trail
I found a dog playing in the pool
beneath the waterfall.
Possessed by a dance, it was—
leaping up
trailing beads of spray
then landing down
in a winged splash—
a joyful rebellion against gravity—
a joyful acceptance of defeat—
spray
and splash
spray
and splash—
ecstasy.
But I’d come there for a blessing
so I waded around the canine
and stepped into the curtain
and let the full force of the fall
pound my head relentlessly.
The water cold but hot in its intensity.
Soon overwhelmed by sensation
I lost every dull thought in my head.
But when I stepped back out I saw
the dog had stopped its revelry.
Standing still, it stared at me—
head tilted to the side. Puzzled
by my trembling solemnity.
I didn’t want to ruin the dog’s frolic
by causing it concern
so I then began my own splash dance.
Which broke the spell—
in an instant the creature joined me.
We jumped up and down
and barked and laughed
and my feeling of purity
meshed with a feeling of joy.
Again I was the child I once was—
the one who’d rebel
against the mud and dust of his world
by going into a ritual
with just one rule:
dance—dance—dance
dance like a divine dog.
Author’s bio (my standard spiel):
Michael R. Patton, in his own words, “likes to make stuff”. This stuff includes novels, new fables and myths, poetry, cartoons, essays, and videos.
The ideas that run through that work can be found in the titles of his books. For example: "Searching for My Best Beliefs" and "My War for Peace".
Basically self-taught, he describes his slow, tedious journey of discovery as “crawling blindfolded through the labyrinth”. He has lived and worked all over the United States.