Maternal Tenacles
author's note:
The fossilized skeleton we call “Lucy”, is known in Ethiopia as “Dinkinesh”, which can be translated as “you are marvelous”.
MATERNAL TENTACLES
A year ago I saw a show
about an ancient ancestor
found under earth and rock
in dry savanna gorge--
they named her “Lucy”.
I immediately fell in love
with the poor innocent
and that night I dreamt
her tiny skeleton slept beneath
a blanket of my own ancient dust.
Yes, dreams tell incredible truths--
apparently the white man I am
carries this humble stone mother spirit
deep in his innards:
we hold more
than we’ll ever know
but
it’s good to know
as much as you can
about what you hold
because
I now feel the loss--
I now grieve the death
of this simple loving nature.
Now I will nurture
that maternal engine
back to life.
As I feel empathy for myself
I feel empathy for the world:
I can see this loss all over the world.
Men lactate in their own way--
a buried reservoir awakens.
I could stop the flow, but dare not--
for too long I’ve known
the pain of being dry.
Nonetheless, I’m tentative
as this milk spills over--spreads--extends
its tentacles
beyond the borders
of my domain‑‑
these feelers want to feel
but remain afraid:
they’ve encountered
blunt objects before
and been blunted.
But with this fledgling spreading
the gray beneath Lucy's fingertips
slowly bleeds back to pink
and pink desert flowers bloom:
the prickly desert slowly transforms
into a desert garden. Oh so slowly.
But slow change endures.
© 2021, Michael R. Patton
Dancing to Raven’s Song: a novel
The fossilized skeleton we call “Lucy”, is known in Ethiopia as “Dinkinesh”, which can be translated as “you are marvelous”.
MATERNAL TENTACLES
A year ago I saw a show
about an ancient ancestor
found under earth and rock
in dry savanna gorge--
they named her “Lucy”.
I immediately fell in love
with the poor innocent
and that night I dreamt
her tiny skeleton slept beneath
a blanket of my own ancient dust.
Yes, dreams tell incredible truths--
apparently the white man I am
carries this humble stone mother spirit
deep in his innards:
we hold more
than we’ll ever know
but
it’s good to know
as much as you can
about what you hold
because
I now feel the loss--
I now grieve the death
of this simple loving nature.
Now I will nurture
that maternal engine
back to life.
As I feel empathy for myself
I feel empathy for the world:
I can see this loss all over the world.
Men lactate in their own way--
a buried reservoir awakens.
I could stop the flow, but dare not--
for too long I’ve known
the pain of being dry.
Nonetheless, I’m tentative
as this milk spills over--spreads--extends
its tentacles
beyond the borders
of my domain‑‑
these feelers want to feel
but remain afraid:
they’ve encountered
blunt objects before
and been blunted.
But with this fledgling spreading
the gray beneath Lucy's fingertips
slowly bleeds back to pink
and pink desert flowers bloom:
the prickly desert slowly transforms
into a desert garden. Oh so slowly.
But slow change endures.
© 2021, Michael R. Patton
Dancing to Raven’s Song: a novel
Labels: feeling, grief, growth, healing, loss, lucy, maternal, mother, new age, poetry, resurrection, spirituality, spoken word, transformation
